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Andrew Kalaidjian received his Ph.D. in English from the University of California, Santa Barbara. His research and teaching interests include: 20th and 21st century British and Global Anglophone literature, environmental history, spectacle and technology. He is the author of , published in 2025 by University of Virginia Press, and , published in 2020 by Cambridge University Press. His writing has appeared in , , , , and the .

Selected Recent Publications

鈥淭he Spectacular Anthropocene.鈥� Angelaki 21.4 (Fall 2017): 19鈥�34.

鈥淭he Black Sheep: Djuna Barnes鈥檚 Dark Pastoral.鈥� Creatural Fictions: Literary Engagements with Species Difference. Ed. David Herman. New York: Palgrave Macmillan, 2016.

鈥淪ynge and Synge: Science and Irish Modernism.鈥� Modernist Cultures 10.2 (July 2015): 178鈥� 200.

鈥淧ositive Inertia: D. H. Lawrence and the Aesthetics of Generation.鈥� Journal of Modern Literature 38.1 (Fall 2014): 38鈥�55.

Selected Recent Presentations

鈥淭he Hardest Task: Reconsidering Lawrence鈥檚 Rhythmic Work Ethic.鈥� The D.H. Lawrence Society of North America. MLA Convention. Chicago, IL, Jan 4鈥�9. 2019.

鈥淓urope鈥檚 Witchy Future.鈥� The International Robert Graves Conference. Palma, Mallorca, July 10鈥�14, 2018.

鈥淓ngland, England and the Astonishing Anglocene.鈥� Modernist Studies Association Annual Conference. Amsterdam, August 10鈥�13, 2017.

鈥渘either water nor earth: The Yellow Pine in As I Lay Dying.鈥� The Faulkner Society panel on Posthuman Possibilities, 2016 MLA Convention, Austin, TX, Jan 7鈥�10, 2016.

Undergraduate Courses Taught

• ENG 304: English Literature, 1832-present
• ENG 305: Critical Reading of Literature
• ENG 325 Poetry
• ENG 335: World Literature
• ENG 347: Literature of Ethnicity and Gender

Graduate Seminars Taught:

• ENG 545: Literary Criticism, World and Text
  ENG 549: Global Ecologies, Vital Modernism